This Floating Excrement Was Way Too Symbolic! These Are the TV Letdowns of the Year.
As we reflect on the TV landscape of the past year, a selection of shows emerge not for their brilliance, but for their spectacular shortcomings. From awkward sequels to bafflingly bad documentaries, here are the productions that had us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this love/hate follow-up? Burdened with dreadful writing, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the final season started, it seemed as if it had finally found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It ended on a bum note; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, fans certainly found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a little sob?
All’s Fair
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was practically the least of this drama's problems. The subject of a very rare no-star assessment, it was difficult to know where to start enumerating the problems. The laughably leaden dialogue? The mind-numbing veneration of wealth and materialism? The seemingly wilful parade of tropes? Performances so poor they felt borderline spiteful? Let’s just say “all of the above” and forget about this series again. However, a second season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Given the legal troubles, abuse claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be reserved for the people who have had to endure proximity with this charismatic but dismissive egotist.
The Iris Affair
Naturally we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.
MobLand
Dodgy figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were many other problems. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which felt rather simplistic.
With Love, Meghan
Considering the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly unearned wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-worth. But for whatever reason, this documentary series opted not to explore them. Instead, the viewing was akin to reading a marketing catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.
The Inheritance
It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.
Too Much
How do you follow a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the smart inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Very much so.
Prime Target
We love the star … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could ruin society? No! This international thriller about government agencies spying on – and eliminating – academics honestly got more farcical by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator notorious for explicit exploits as she undertook her biggest challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son away from the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.